Bardo 10 × 10 is a collaborative poster project created to celebrate the first ten years of Bardo Industries and the relationships that have shaped the studio’s practice. Rather than producing a retrospective or summary of past work, the project looks outward, using collaboration as both its subject and method.…
In 2026, printmaker and book artist Paola Horevicz Hurtado will debut Pitsky Press as an independent publisher at the CODEX International Book Art Fair, marking a significant shift in her practice. After years of running a commercial letterpress business, Horevicz Hurtado has pivoted toward creating limited edition artist’s books, with…
A Year In Bloom is an A3 linoprint by East London based printmaker Bethany Clarke, created as a gift to the Birth Centre at Homerton Hospital. Donated in November 2025, the print was made as a gesture of thanks for the care and support Clarke received before, during, and after…
In October 2025, designer, artist, and educator Feixue Mei organised the Boundless Bound Symposium and Art Book Fair at James Madison University in Virginia. Held over two days, the event brought together artists, designers, scholars, and students to explore self-publishing as a site where creative practice and academic research can…
Chicago-based artist Marylu E. Herrera has found a way to bring Risograph printing out of the studio and into everyday life. Through a series of collectible Riso-printed keychains, now stocked in Good Things Vending machines across Chicago, Herrera transforms traditional prints into small, tactile objects designed to be handled, carried,…
Before introducing this project, it is important to clarify that Posterzine® is a registered trademark owned by People of Print Ltd. The publication presented here uses the title Poster zine as a separate artistic concept and is not affiliated with, endorsed by, or officially licensed by People of Print. We…
Last year, Helsinki-based creative collective so_helsinki designed, letterpress printed, and hand-bound a specimen book titled So papers & types. The publication showcases a selection of their wood and metal type collection alongside old and leftover papers rescued from printers’ warehouses. The book was created as both a printed artefact and…
The Cameron Twins return with Love You! (2026), a new limited-edition fine art print and the third release in their ongoing Valentine’s Love Hurts series. Building on the success of two sold-out editions from 2024 and 2025, the new work continues the duo’s distinctive exploration of emotion, nostalgia, and the…
Home fine art printers are now powerful enough to produce gallery‑ready work from a spare room or studio. This guide walks through what actually matters, then highlights the best current options for printing your own art at home in high quality, with a clear sense of size, cost and trade‑offs.…
In an era where independent publishing continues to thrive, Blurb has become a creative powerhouse for artists, photographers, writers, and designers who want to turn ideas into beautifully printed books. From intimate personal projects to community-driven publications, creators around the world are using Blurb to share their stories in compelling,…
In Noi siamo qui, Italian printmaker and Verified POP Member Roberta Feoli De Lucia reimagines the drypoint plate not as a precious tool but as a site of shared authorship, erosion, and environmental witness. The work forms part of Pre Historia – Covo d’Artista, a collective project confronting the devastating…
In Off the Grid, Leipzig based artist Alexander Endrullat takes discarded laptops and tablets and uses them as physical printing plates. The results are striking material prints that expose the internal structures, mechanical damage and traces of everyday use embedded within digital devices. What begins as a simple act of…
For her 2026 Riso-printed calendar, Netherlands based graphic designer and illustrator Hannah Kansy brings together twelve original illustrations that invite the viewer to wander through unknown landscapes. Each month presents a new scene, a quiet world shaped by abstraction, atmosphere and a sense of slow discovery. The work reflects her…
Magdalena Szata’s recent work is rooted in return rather than reinvention for the sake of novelty. Instead of beginning from scratch, she has been revisiting her earlier linocut prints and transforming them into hand-cut collages, allowing existing works to evolve into something new. “I’ve been revisiting my old linocut prints…
2027: A Year in Review is a comedic zine by London-based graphic designer Tommy Evans that presents an intentionally overbearing summary of a fictional future year. Designed as a parody of annual reviews, cultural roundups and encyclopaedic reference books, the publication offers a full account of the Whom, What, Wez,…
With The Habitat Series, Bristol-based artist and printmaker Chiara Mensa creates a body of linocut prints that reveal the hidden structures of natural ecosystems. Designed and carved in 2024, the works use a distinctive split-view format that shows both surface and interior worlds in a single composition. From rainforest canopies…
In recent years, we have seen a rise in print-on-demand services, pushing forward digital printing technologies and capabilities, and naturally, as a result of this, most inks are engineered for fast-drying commercial presses. This has meant one of the oldest mediums in printmaking nearly ran out of its most essential…
In her linocut titled Celestial Dog, Lithuanian-born artist Kristina Vasiljeva turns to folklore as a source of both imagery and meaning. The print depicts a cosmic dog devouring the sun, a dramatic motif found in various mythological traditions. Set against a star-filled sky and framed with Baltic-inspired patterns, the piece…
In her project titled WHAT NOW, Sofia based illustrator and visual artist Zhana Mitkova examines the disorienting, often transformative moment that arrives when a person asks themselves what comes next. Created through an open call by Sito Studio, the project took shape as both a zine and a series of…
Dublin-based artist Sam O’Reilly describes his ongoing project Process as both a celebration of screen printing and a call to reconnect with the act of making. Through a body of prints built around CMYK and halftone techniques, he invites viewers and fellow artists to look closely at what happens before…