Brighton-based maker and designer Katya Walton transforms reclaimed scaffolding boards into CNC-cut chairs that become canvases for printmakers and painters, creating functional artworks that challenge how, where and by whom art is consumed. The premise is disarmingly practical: everyone needs somewhere to sit. But the thinking behind Katya Walton’s Collaborative…
There is something quietly contradictory about Appear Offline. A one-man creative studio that takes its name from a state of deliberate absence, yet produces work that is impossible to ignore. At the centre of everything is typography, not as a tool for communication in the conventional sense, but as raw…
For artist Murphy Stamp, making work often begins with confronting the things that are hardest to describe. Their piece There Are Monsters Nearby explores childhood trauma through a language that many people recognise from early life: the invention of monsters. When frightening experiences are difficult to process, children often give…
Time moves in repetition, but no two days ever feel the same. In a Tempo., interdisciplinary artist Chaerin Do explores her notion of Time through layered print, music, and material process. The work began with seven 6 x 6 inch plexiglass acrylic sheets, each laser-engraved to represent a day of…
At the Hong Kong Illustration and Creative Show 10, held on 20–21 December 2025, Wen Ching Yiu, also known as Krystine, presented a playful expansion of printmaking beyond the page. Her project explored how Risograph prints can move into the realm of wearable objects, transforming small printed works into one-of-a-kind…
With VAINCU, NON DOMPTÉ (“Defeated, Not Tamed”), EDIE. transforms typography into something lived, worn, and felt. Screen printed onto textile and first presented in June 2024 at Noir Brillant in Rennes, France, the work formed part of LES CHIENS QUI ABOIENT (“The Dogs That Bark”), an exhibition where language, fabric,…
Sunny Wu’s illustrations exist in a universe of bright colour, grainy texture, and unapologetic femininity. Titled sunny’s world, this ongoing body of work depicts girlhood not as something fragile or ornamental, but as something self-aware, grounded, and quietly powerful. Working primarily in digital media while drawing on the visual language…
In a time shaped by rapid technological change and the growing presence of AI, Liz Payne’s practice returns insistently to the hand. Her work exists at the intersection of art, craft, design and technology, subverting traditional expectations of textile practice while embracing its labour and physicality. You Don’t Own Me…
Signs structure how we move through the world. They direct, warn, instruct and inform. In semiotic terms, a sign is a site of representation, one thing standing in for another. Yet in the built environment, signs carry more than the words or symbols on their faces. For Nicholas H. Ruth,…
January Blues is a handmade banner and screen-printing project created by Laura January, born during the early chaos of raising twins and shaped by music, lyrics, and poetry. What began as an experiment at her dining room table has developed into a tactile, typographic practice rooted in experimentation and the…
Living and working by the North Sea, Belgian graphic designer and typographer Ann Maelfeyt explores language as both a visual and poetic medium. Her project With A Grain Of Salt forms part of a solo exhibition opening on March 5th 2026, presenting her graphic design and photography as a portrait…
Time Amongst Pictures is a body of etchings by Oliver Hoffmeister developed in response to an extended period of study at the Museo del Prado. The work follows Hoffmeister’s selection as one of four recipients of the Richard Ford Award in 2024, a prize that supports figurative artists from British…
Lovely Day is a personal illustration project by Kelly Nichols, working under the name Kidnichols, that celebrates creativity as a gentle, everyday practice. Centered on a cozy, lived-in studio space, the piece reflects how making can be both vulnerable and deeply comforting, offering creativity as something safe, familiar, and sustaining…
At just 23, Eknoor Matharoo has already built a print practice grounded in patience, material curiosity, and a deep connection to place. A recent graduate of Emily Carr University of Art + Design, Matharoo now works full time from her own studio in Chandigarh, India, where she continues to explore…
In Precious Objects, Becky Long-Smith uses printmaking to question how value is assigned, preserved, and remembered over time. The work sits within an ongoing body of practice that examines material memory, labour, and care through slow, tactile processes, positioning print not only as an image, but as a record of…
Bio-adversity: Plantae is a body of work by Annika McFarlane that brings biodiversity and printmaking together through process as much as concept. The project celebrates endangered plant species from A to Z, with each plant represented by a single, unique monotype screen print. In total, the series comprises 26 one-of-one…
Ellis Tolsma is bringing renewed attention to a quiet, highly personal corner of illustration through bespoke risograph print cards made for weddings and birth announcements. Working through her practice, Studio Misprint, Tolsma illustrates, prints, and cuts each card by hand, treating every commission as a carefully considered object shaped around…
Disintegration is a limited edition serigraph by Dereck Seltzer, working under the name TMRWLND. The work examines the moment where human identity begins to fracture under technological pressure, continuing the artist’s ongoing investigation into chaos, control, and the future of the body in an era shaped by surveillance, systems, and…
Grass (2025) is an experimental intaglio drypoint print by Christina Rupp that turns sustained attention toward one of the most ordinary and overlooked elements of the everyday landscape. Created using a thin, transparent plastic sheet as a printing plate, the work examines grass in motion and its quiet, symbiotic relationship…
Men on Food is an ongoing illustration series by Daria Rosso that transforms familiar meals into vast, dreamlike terrains. Plates become landscapes, cups turn into winter shelters, and oversized bites of food are reimagined as places to explore. Populated by tiny wandering figures, the series plays with scale, balance, and…