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People of Print

  • More Than Fish: Donna Cyril at Sasoon Dock

    April 4, 2026

    London-based documentary photographer Donna Cyril turns a visit to Mumbai’s oldest fish market into a study of livelihood, dignity and the quiet pride found in honest work. The best documentary photography does not explain its subjects. It trusts them. More Than Fish, Donna Cyril’s series from the Sunday market at…

  • Pressed, Extracted, Preserved: Blanca Doba’s Bare Earth Brand Identity

    April 4, 2026

    Romanian graphic designer Blanca Doba builds a conceptual body care brand from the ground up, using forest-derived materials, archival references and tactile packaging to reposition natural skincare as documented substance rather than decorative trend. The language of natural beauty branding has become so familiar it has almost stopped meaning anything.…

  • Initials Only: Anna Taylor’s Album Art for Nadia Reid’s Record Store Day Release

    April 4, 2026

    New Zealand graphic designer and illustrator Anna Taylor strips a live album cover back to its essence, letting photography, colour and a single touch of spot gloss do all the talking. There is a particular confidence in a cover that does not need to explain itself. The artwork Anna Taylor…

  • A Logo Is the Face of a Brand: Altspace Design Studio Rebrands Zion Realty

    April 3, 2026

    Multidisciplinary branding and design practice Altspace Design Studio brings architectural thinking and deliberate colour strategy to a real estate rebrand, building a visual identity anchored in trust and contemporary energy. The starting point for Zion Realty’s rebrand was a single conviction: the logo is the face of the brand, and…

  • The Body Knows the Ritual: Haviva Seligson’s Shofar

    April 3, 2026

    Northern Israel-based printmaker Haviva Seligson carves and hand-prints a figure mid-breath in a wild landscape, making a linocut that treats the act of printing itself as inseparable from the meaning it carries. The shofar is one of the oldest ritual instruments in existence, its sound shaped entirely by the body…

  • What the Music Feels Like: Yeara Chaham’s Collage Response to Sade

    April 3, 2026

    Sydney-based collage artist and designer Yeara Chaham asks whether a feeling from music can become an artwork, building a mixed media composition from scanned pearls, magazine fragments and cool blue tones to translate the particular atmosphere of Sade into something you can see. The starting point was a question: can…

  • Three Continents, One Canvas: David Oku and the Infinite Possibilities of Flat Depth

    April 2, 2026

    London-based illustrator and animator David Oku treats the constraints of 2D digital space not as a ceiling but as a starting point, building bold, densely detailed worlds from multicultural influences, hand-drafted letterforms and a refusal to release anything that doesn’t radiate positive energy. David Oku has a rule: if someone…

  • Aisle of Unease: Annexe Studio’s F*** Your Supermarket

    April 2, 2026

    Paris-based creative trio Diana Castro, Maëva Grande and Laure Guillaud of Annexe Studio turned the visual language of the weekly supermarket leaflet against itself in a limited newsprint publication that is equal parts seduction and disruption. The supermarket leaflet is one of the most thoroughly ignored pieces of design in…

  • Kichizi: Aysha Lilani Brings East African Visual Language to the Slopes

    April 1, 2026

    British-Canadian graphic designer and illustrator Aysha Lilani merges East African heritage with snowboarding culture in Kichizi, a bold board graphic selected by Gilson Snow for their 2026 lineup that takes its name from a Kenyan word for mindset over struggle. The word came from a tour guide in Kenya, on…

  • Hidden in Plain Sight: Alastair Keady and Helen O’Sullivan at Graphic Studio Gallery

    April 1, 2026

    Deliberate/Deliberate, a joint exhibition at Graphic Studio Gallery in Dublin, brought together two printmakers whose practices share a commitment to process, restraint and the slow emergence of meaning through structure and deviation. It can be rather calming, observing work that asks you to look slowly. Deliberate/Deliberate, which ran at Graphic…

  • Something to Live With, Not Scroll Past: Elena Fazzino’s Garden Party Magazine

    April 1, 2026

    English-Italian editor, photographer and founder Elena Fazzino has built Garden Party Magazine from a private Instagram account into an independently published, community-led print publication that asks its readers to slow down and pay attention. The name came first. Garden Party was a private Instagram account Elena Fazzino started around 2017,…

  • Victoria Vasilevskaya: (Re)designing Louisiana Hardcore

    March 31, 2026

    New Orleans artist Victoria Vasilevskaya turns gig flyers into something far more considered, building a two-year archive of digital collage work that treats hardcore ephemera as art in its own right. There is a particular kind of flyer that anyone who has spent time in underground music scenes will recognise…

  • ACV3 INBETWEEN: A Slow-Journalism Studio Building an Ecosystem of Worldmakers

    March 31, 2026

    Not many studios would describe their methodology as publishing at the speed of trust. ACV do, and they mean it. Since 2020, the London-based slow-journalism practice and creative studio has been doing things at its own pace, working across print publishing, relational design and community projects to build what it…

  • Alice Ferns for Single Variety Co: The Story of Jam Making

    March 31, 2026

    Bristol illustrator Alice Ferns brings the full journey of fruit from field to factory to table in a gift box designed to be its own wrapping. The brief was deceptively simple and immediately compelling: create a gift box that does not need wrapping. For Alice Ferns, a Bristol-based illustrator, it…

  • Fallow Ground and Flowers to Come: Ellen Shattuck Pierce’s Wintering Toile

    March 30, 2026

    Boston-based artist Ellen Shattuck Pierce combines relief cut, tinted cyanotype and embossing into a handprinted wallpaper that holds grief and renewal in the same frame, drawing on the cycles of winter to reckon with the hardest kind of year. Winter has a particular quality of honesty. The burnt umber remains…

  • Helena Pass: Folklore Lunar Months as Litho-Printed Matchbox Labels

    March 30, 2026

    Tallinn-based artist Helena Pass brings traditional Estonian folk timekeeping into a contemporary graphic context through a series of 17 stone lithographs, each editioned and mounted as a matchbox label. Some might consider it radical to name the months after the world you actually live in. Bread Month, Hay Month, Horse-Nodding…

  • Abigail Rai: The Devourer

    March 30, 2026

    London-based cartoonist and illustrator Abigail Rai brings her titanic green antagonist to life through an experimental screen print series rooted in South Asian mythology, the cycle of transformation and the insatiability of time. The Devourer is a giant green feminine force. She is the spirit of the wilderness, of transformation,…

  • The Cameron Twins: Imagine That!

    March 28, 2026

    Abigail and Phebe Cameron transform shared childhood memory into bold, layered screen print, sculpture and installation, asking how much of the inner child survives the journey into adulthood. You’re walking into a room full of toys and sweets, and suddenly, you realise you are not entirely comfortable… That is the…

  • Appear Offline: Experimenting With Typography Between Order and Chaos

    March 27, 2026

    There is something quietly contradictory about Appear Offline. A one-man creative studio that takes its name from a state of deliberate absence, yet produces work that is impossible to ignore. At the centre of everything is typography, not as a tool for communication in the conventional sense, but as raw…

  • Shifting Waterscapes: Emma Molony Brings Printmaking into an Immersive Ecological Exhibition

    March 27, 2026

    Shifting Waterscapes is a multi-sensory exhibition at THG in Devon that brings together sound, storytelling, film and printmaking to explore the fragile ecologies of wetlands and waterways. Conceived by multidisciplinary artists Ellen Wiles and Arun Sood, the project immerses visitors in the landscapes of the nearby Otterhead Lakes nature reserve…

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  • Something to Live With, Not Scroll Past: Elena…
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  • Victoria Vasilevskaya: (Re)designing Louisiana Hardcore
  • Kichizi: Aysha Lilani Brings East African Visual…
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  • More Than Fish: Donna Cyril at Sasoon Dock
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