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  • Home
  • About
    • About People of Print
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People of Print

  • Bright Colour and Brighter Ideas: Ollie Hirst Illustrates When AI Got It Spectacularly Wrong

    May 26, 2026

    Manchester-based conceptual illustrator and lifelong pacemaker patient Ollie Hirst creates a series of hand-drawn editorial illustrations for BBC Science Focus on the times AI has failed spectacularly, using cyberpunk neons against greyscale to put human emotion at the heart of a story about machine trust. The brief was precise and…

  • Where Are the Black Sci-Fi Animations? Raphael O’Selle Is Building One

    May 26, 2026

    Design and creative director Raphael O’Selle has spent five years developing XIAI, a sci-fi comic universe rooted in memory, ancestry and identity, launching openly online ahead of a Kickstarter campaign for Book One in September 2026. The question came from watching. Raphael O’Selle grew up on Ghost in the Shell,…

  • Flipping the Gaze: Kirti Virmani’s Do You See What I See?

    May 26, 2026

    London and India-based visual artist Kirti Virmani creates a mixed media installation of photography, photo-polymer etchings on steel, ceramic sculpture and pigment prints that questions who built the walls designed to enclose women, and whose gaze they were built to control. The Parkota is a boundary wall, the kind that…

  • Who Represented Germany? Juno Ilkun’s Illustrated Report on a Diplomat in an Ivory Tower

    May 25, 2026

    Berlin and Hiroshima-based artist Juno Ilkun creates a riso-printed illustrated report about a real former West German diplomat, juxtaposing his valuable art collection with his recorded opinions to examine the failed de-Nazification of West Germany and the question of who the country sent to represent it abroad. The inspiration was…

  • Not Broken, Only Changed: Errin Ironside’s Collage Practice

    May 25, 2026

    US-based artist and graphic designer Errin Ironside makes abstract paper collages from repurposed books and magazines, navigating grief, fragmentation and the residue of loss through an intuitive process that transforms unease into something constructive. Each collage begins with a small pile of papers. Errin Ironside curates them from her stash,…

  • Beyond Black and White: Costas Millas’s NO COLOUR

    May 25, 2026

    UK-based food photographer, stylist and art director Costas Millas creates a 64-page limited edition art book of conceptual food photography using only black and white subjects, hand-sewn with an exposed spine, as a deliberate act of craft in a world increasingly shaped by content and AI generation. Costas Millas became…

  • Less Precious, More Enjoy: Millie Carmel Jobson’s you are very nice

    May 22, 2026

    Newcastle-based freelance graphic designer Millie Carmel Jobson turns a sketchbook collage experiment with GF Smith Colorplan paper samples into a four-colour screen print made at Incubate Printmaking in the Ouseburn, letting imperfection and intuition do the heavy lifting. It started with paper samples. A set of GF Smith Colorplan swatches…

  • Peeling Back the Layers: Lisa Winstanley’s Posters with Purpose

    May 22, 2026

    NTU Associate Professor and DEVIL Lab founder Lisa Winstanley brings together three designers from three continents in a 156-page limited edition publication that is part manifesto, part archive, part research, and designed to be torn apart and used. The dust jacket is neon orange and purple. The cover beneath it…

  • Do What Scares You: Katie Sturgis on Creativity, AI and the Value of the Handmade

    May 22, 2026

    Colorado-based graphic designer, lettering artist and illustrator Katie Sturgis creates a hand-lettered piece after her design job is replaced by AI, arguing for the inherent value of human creativity and turning it into a product she never planned to make. Katie Sturgis’s graphic design job was replaced by AI. Her…

  • Without the Constraints of Gravity: Heather Zhou’s Under the Sea

    May 21, 2026

    Shenzhen-based illustrator and designer Heather Zhou creates a vibrant digital illustration series of sea creatures with distinct personalities, building a fantastical underwater world full of odd charm and childlike wonder that draws from marine biology, fairytale and the people around her. There is a friendly and childlike octopus. A lobster…

  • Weird Little Objects: Eva Vitkute’s Hardware / Software

    May 21, 2026

    Dublin-based graphic artist Eva Vitkute gathers a series of drawings of slightly distorted everyday objects into a limited edition risograph zine, using the logic of tattoo flash sheets and the information loss of reproduction as conceptual tools. The zine was not planned. Eva Vitkute draws objects, scans them to document…

  • Reality and Imagination Collide: DADU Werkstatt and Milica’s Street Freaks Society

    May 20, 2026

    German graffiti artist DADU Werkstatt and Manchester-based street photographer Milica merge real urban photography with illustrated geometric characters, turning static city scenes into living environments where structured reality meets playful, character-driven intervention. The collaboration began with an open call. Street photographer Milica posted on Instagram inviting artists to fuse their…

  • What the Journey Makes of Him: Chukwudi Nwachukwu’s Labour of Rivers

    May 20, 2026

    Port Harcourt-based documentary photographer Chukwudi Nwachukwu follows fishermen on the Andoni River waterways through repeated visits, capturing the quiet labour, physical effort and dignity of lives built on fragile wooden canoes and deep familiarity with the water. Each morning, a fisherman unties his canoe. He paddles out onto the Andoni…

  • When Letters Sample Themselves: Hwain Jie’s SAMPLE

    May 20, 2026

    South Korea-based designer Hwain Jie translates musical sampling into a typographic system, building each letter of the word SAMPLE on a 5×5 grid and running it through four cycles of iterative exchange until every character contains traces of the others. Sampling in music means taking something, changing it and passing…

  • Some Things Only Reveal Themselves Through Attention: Izzy Poirier’s Pivotal Moments

    May 19, 2026

    Independent brand designer Izzy Poirier leads a large-scale editorial project between the Ottawa Design Club and New York Design Club, building a story-led publication with silver and clear inks, lenticular inserts and a typographic system that mirrors the project’s core idea: meaning that is not immediately visible but revealed through…

  • Plants Hate Fascists: Amanda Huber’s ANTIFAbrics

    May 19, 2026

    Minneapolis printmaker Amanda Huber launches a grassroots block printing initiative from a spare bedroom during the ICE occupation, block printing on reclaimed apparel and raising over $32,500 for mutual aid across Minneapolis communities affected by ICE. The first print was a reclaimed sweatshirt that already said “PLANTS” across it. Amanda…

  • The Satisfaction of Fixing What Is Broken: Sputnik’s Modular Brochures for REHAB

    May 18, 2026

    Athens-based design studio Sputnik reimagines the printed brochure as a puzzle for a physical rehabilitation practice, cutting four typographic layouts in half, mixing the pieces and placing them inside each other so patients can experience the satisfaction of reassembly. The idea is precise in its logic. REHAB is a physical…

  • Being Trapped Is Not Always Negative: Supatida Sutiratana’s TRAP

    May 18, 2026

    New York-based Thai graphic designer Supatida Sutiratana develops an experimental risograph poster series that transforms emotional entrapment, regret and affection into fragmented typographic compositions that sit between language and feeling. The word trap tends to carry a single meaning: something bad. Supatida Sutiratana is more interested in the ambivalence. “TRAP…

  • The Cubicle as Altar: Alfie Wright’s Queer Photographic Practice

    May 16, 2026

    London-based artist Alfie Wright uses analogue photography to connect queer histories with queer futures, exploring cruising as sacred ritual and the subversive power of sexual deviance as an act of resistance. The public toilet as promised land. The park at midnight as sanctuary. Alfie Wright is interested in the spaces…

  • She Does Not Cling in Desperation; She Reaches in Devotion: Sneha Gindodiya’s Dharohar

    May 16, 2026

    California-based South Asian visual artist Sneha Gindodiya paints a woman reaching toward a fading Persian and Kashmiri rug, building layered acrylic surfaces that dissolve as deliberately as the cultural memories they hold. Textiles are portable histories. Persian and Kashmiri rugs carry stories of labour, geometry and devotion across generations and…

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