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People of Print

  • A Visual Census of the Wellington Dress Code: Murex Studio and Felix Jackson’s Street Style

    September 29, 2026

    Photographed during a university degree in post-Covid Wellington and left in the archive for four years, Felix Jackson’s Street Style is now a publication, designed by Murex Studio and printed in a first edition of 200. Wellington has a reputation. A small city with a dense creative culture, a strong…

  • Vessels for Ideas: PD Packard’s Loyal to the Mark

    September 29, 2026

    Brooklyn-based multidisciplinary artist PD Packard develops an evolving series of Soldier-Head vessels that brings together ceramics, silkscreen, embossing, handmade stamps, wood firing and, most recently, the physical integration of printed paper and clay into a single object. PD Packard began the Soldier-Head series in 2023 with a clear structural form…

  • Wonder and Inventiveness in Paper: Pippa Dyrlaga for James Cropper Creates at York Castle Museum

    September 29, 2026

    Yorkshire-based paper cut artist Pippa Dyrlaga created a large-scale installation for York Castle Museum’s summer programme, drawing on Victorian balloon festivals and the Arts and Crafts movement, brought to life with sustainable and recycled papers from James Cropper. James Cropper Creates is a platform for artists, makers and designers working…

  • Prove Yourself Wrong: Dawn’s Campaign for De Balie

    September 29, 2026

    Amsterdam creative strategy agency Dawn has launched a city-wide brand campaign for De Balie, the 45-year-old cultural institution at the heart of the city’s public debate scene. The campaign, running under the line ‘Why make it easy?’, makes a case for discomfort, doubt and the value of not having the…

  • How To Make a Tree Ring Print With Lee Richards

    September 28, 2026

    Ever wondered how PoP member Lee Richards creates his mesmerising tree ring prints? Well, you need to wonder no more… Here, Lee is taking you through his printmaking process step by step. In recent months, I’ve had quite a few people reaching out asking questions about the process, steps, and…

  • Destruction Extends from Reduction: Devin Dinh’s Low Priority

    September 28, 2026

    Arizona-based playing card design studio Low Priority takes distressed vintage fabric as its starting point and goes further — scratching, scanning and assembling decks that treat the card as a home object and a record of emotional state. Playing card design has a long tradition of ornament and detail, but…

  • Short runs, big ambitions: what the Digital Printer Awards 2026 shortlist tells us about print right now

    September 24, 2026

    Thirty copies of a book about mustard pots. A record sleeve made from greyboard and metallised film. Feathers for a giant parrot. The finalists for this year’s Digital Printer Awards have been announced ahead of the ceremony in London on 12 November, and together they give a clear picture of…

  • Nature Is Not Simply Something to Look At: Dorien Brouwers for James Cropper Creates

    September 24, 2026

    Dutch illustrator Dorien Brouwers brought watercolour and ink to a direct mailer celebrating James Cropper’s Colours from Nature paper range, a project that tied Wainwright’s Lakeland fells to rosemary-dyed paper through illustration, die-cut landscape and considered design. James Cropper Creates is a platform for artists, makers and designers working with…

  • The UK’s Biggest Online Seconds Sale Returns: Super Seconds Festival, Edition 12

    September 23, 2026

    Over 250 independent makers open their virtual doors on 3–4 October, offering prints, ceramics, jewellery and more at up to 75% off… and the People of Print® membership community is well represented. Super Seconds Festival is back for its twelfth edition and it remains one of the most straightforward propositions…

  • Fast, Efficient and Super Precise: Raoul Wilke’s Laser-Cut Screen Print Stencils

    September 17, 2026

    Dutch graphic designer Raoul Wilke uses a mini residency at CODA in Apeldoorn to experiment with laser-cut paper stencils for screen printing, producing three intricate posters inspired by the city’s green surroundings in a process that is eco-friendly, highly detailed and faster than traditional photographic emulsion methods. Screen printing typically…

  • One Substantial, Lasting Thing: NoGood’s Self-Published Monograph

    September 17, 2026

    Amsterdam-based illustrator NoGood releases a self-published, crowdfunded 272-page monograph collecting five years of work, essays by Cory Doctorow, Douglas Rushkoff and others, and the thinking behind a practice rooted in retro technology, open-web counterculture and the politics of ownership. The NoGood Book took two years to make and kept changing…

  • Elisa Dublanc & The Rhythms of (trans)formation

    September 16, 2026

    Argentine-Chilean artist and RCA graduate Elisa Dublanc creates a series of hard ground etchings that explore encounter with nature through mark-making, meditation and the rhythms of transformation, printed in limited editions of 28 across studios in London and Santiago. Elisa Dublanc has been moved by the botanical world for as…

  • For Me, Paper Is Part of the Art: Jana Nicole on Funga, Ötzi and the Living Possibilities of James Cropper Paper

    September 16, 2026

    Contemporary mixed-media artist Jana Nicole uses James Cropper papers in two significant projects: a mixed-media installation for a major archaeological museum exhibition in South Tyrol, and her ongoing Foxfire work at Falmouth Art Gallery. For Nicole, paper is not a surface. It is an active material, a carrier of craft…

  • Sunburn to Show Sunburn: Ipshita Krishan’s Festival Identity

    September 16, 2026

    New York-based designer Ipshita Krishan reimagines the identity for Sunburn, India’s largest electronic music festival, using hand-drawn sunburn patterns, vibrating typography and an expansive colour language drawn from growing up in India to create a system that reflects the festival’s cultural origins and global ambitions. Most festival identities reach for…

  • Illustration as Invitation: Ania Blanda’s Socially Engaged Practice

    September 16, 2026

    Polish multidisciplinary artist Ania Blanda creates interactive, place-based art projects that use illustration, websites and participatory formats to connect audiences with complex questions about the places they inhabit — working with organisations and communities to turn passive viewing into active engagement. Ania Blanda makes work that asks something of the…

  • Returned to the Hand: Deepesh Sangtani’s Objects of Transience

    September 10, 2026

    New Delhi-born designer and maker Deepesh Sangtani documents India’s hand-painted street signs, distils their letterforms and symbols into laser-engraved rubber stamps on modular wooden blocks, and uses them to create prints that embrace inconsistency, misalignment and the open-ended nature of play. Hand-painted signs in India have a distinct visual character,…

  • A Decade in Print: Shweta Malhotra’s Fashion Illustration Zine

    September 9, 2026

    Mumbai-based award-winning graphic designer and AGI member Shweta Malhotra collects a decade of fashion illustrations from her visual diary Something Cool Everyday into a limited edition Riso-printed zine, produced with Miso.inc in Surat. In 2014, Shweta Malhotra started a visual diary called Something Cool Everyday, a daily illustration practice where…

  • Placed Gently in Plain Sight: Martin Hao Chen’s Wandering Pink Elephant

    September 9, 2026

    Bangkok-based designer and visual storyteller Martin Hao Chen places the same simple pink elephant into photographs taken across Thailand, using a quiet visual metaphor to express what years of corporate life left unspoken. The elephant in the room is something everyone understands and nobody addresses. Martin Hao Chen took that…

  • What Happens When Cultural Memory Moves: Feixue Mei’s 传/Chuán and Boundless Bound Publishing

    September 9, 2026

    Designer, researcher and transmedia artist Feixue Mei brings together exhibitions, public conversations, workshops, artist books and an online forum across James Madison University and Boundless Bound Publishing this autumn, exploring what happens to cultural heritage, publishing and identity when they cross generations, places and communities. 传 (chuán) means to transmit,…

  • You Don’t Have to Shine to Stand Out: Foilco on the Art of Pigment Foil

    September 7, 2026

    Say the word “foil” and most people picture the same thing: gold, silver, holographic, something that catches the light and demands attention through sheer shine. Foilco, one of our long-standing People of Print partners, wants to change that picture. With their Pigment Foil range, colour does the talking instead, and…

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