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  • Home
  • About
    • About People of Print
    • Creative Roster
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  • Store
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People of Print

  • Elevated to the Status of Subject: Inferior Works Reconstructs the Vanished Craft of Mechanical Paste-Up

    April 8, 2026

    Working under the banner of Inferior Works, an artist with a long background in fine art production and print resurrects the discipline of pre-digital mechanical paste-up in an A2 box-framed mixed media work that operates as both forensic reconstruction and layered object for anyone who never worked with a scalpel…

  • Everyone Needs Somewhere to Sit: Katya Walton’s Collaborative Craftscapes

    April 8, 2026

    Brighton-based maker and designer Katya Walton transforms reclaimed scaffolding boards into CNC-cut chairs that become canvases for printmakers and painters, creating functional artworks that challenge how, where and by whom art is consumed. The premise is disarmingly practical: everyone needs somewhere to sit. But the thinking behind Katya Walton’s Collaborative…

  • I Grew Tired of Waiting: Hanaé Sanchez’s At Last

    April 8, 2026

    Writer-director and multidisciplinary artist Hanaé Sanchez creates a diptych of short film and freely distributed zine rooted in her dual Khmer identity, blending live action, 2D animation and Khmer kitsch into an immersive world that asks whether the past can be rewritten. Hanaé Sanchez got tired of waiting. “I grew…

  • You Can Look, But You Cannot Possess: Buku Sarkar’s Containment Diaries

    April 7, 2026

    Photographer and writer Buku Sarkar documents seven years of living with an undiagnosed neurological disorder through a self-portrait series made in private, in the apartment she rarely left, that refuses to give the viewer complete access to what it shows. In the summer of 2018, after years of tremors, blackouts,…

  • Street Style Meets Celestial Energy: Aditya Damle’s Future Streets for Adidas x Footlocker India

    April 7, 2026

    Mumbai-based visual artist Aditya Damle merges Jack Kirby’s Fourth World cosmology with Indian mythology and sci-fi fantasy for a limited-edition series of heat-press artworks created exclusively for the first Footlocker store launch in India. When Adidas Originals and Footlocker came together to celebrate the opening of Footlocker’s first ever Indian…

  • Design as a Social Tool: Franziska Sofia Meeder’s A Collection of Modern Self

    April 7, 2026

    German designer and researcher Franziska Sofia Meeder brings together over a dozen contributors in a 180-page publication examining how identity is constructed at the intersection of culture, gender and the technologies of our time. The question at the centre of A Collection of Modern Self is one that design is…

  • Structure and Pattern: Heather Fletcher’s Mixed Media Architectural Illustrations

    April 6, 2026

    Edinburgh-based multidisciplinary designer Heather Fletcher combines precise hand-drawn line work with mid-century pattern and colour to translate the character of the built environment into something expressive and evolving. Architecture is usually drawn to be accurate. Heather Fletcher draws it to be felt. Their mixed media illustrations of Edinburgh’s built environment…

  • Stacked and Infinite: Yorgos Papadoyiannakis’s KAFASIA Grape Crates Risoprint

    April 6, 2026

    Greek graphic designer and illustrator Yorgos Papadoyiannakis brings a childhood memory of the Cretan grape harvest to risograph, printing a geometric, fluorescent limited edition on paper made in part from grape residues. Every harvest, the crates stack up. One on top of another, forming temporary structures that grow as the…

  • One Signature, Many States: Common Grounds Studio’s Flux Display for Roots&Routes

    April 6, 2026

    Cyprus-based Common Grounds Studio creates a custom Greek-Latin display typeface for a twelve-country arts festival, pairing it with an automation script that generates controlled typographic variation at scale to embody the festival’s theme of Evolving Identities. When Roots&Routes, a festival bringing together emerging artists from twelve countries, needed a typographic…

  • More Than Fish: Donna Cyril at Sasoon Dock

    April 4, 2026

    London-based documentary photographer Donna Cyril turns a visit to Mumbai’s oldest fish market into a study of livelihood, dignity and the quiet pride found in honest work. The best documentary photography does not explain its subjects. It trusts them. More Than Fish, Donna Cyril’s series from the Sunday market at…

  • Pressed, Extracted, Preserved: Blanca Doba’s Bare Earth Brand Identity

    April 4, 2026

    Romanian graphic designer Blanca Doba builds a conceptual body care brand from the ground up, using forest-derived materials, archival references and tactile packaging to reposition natural skincare as documented substance rather than decorative trend. The language of natural beauty branding has become so familiar it has almost stopped meaning anything.…

  • Initials Only: Anna Taylor’s Album Art for Nadia Reid’s Record Store Day Release

    April 4, 2026

    New Zealand graphic designer and illustrator Anna Taylor strips a live album cover back to its essence, letting photography, colour and a single touch of spot gloss do all the talking. There is a particular confidence in a cover that does not need to explain itself. The artwork Anna Taylor…

  • A Logo Is the Face of a Brand: Altspace Design Studio Rebrands Zion Realty

    April 3, 2026

    Multidisciplinary branding and design practice Altspace Design Studio brings architectural thinking and deliberate colour strategy to a real estate rebrand, building a visual identity anchored in trust and contemporary energy. The starting point for Zion Realty’s rebrand was a single conviction: the logo is the face of the brand, and…

  • The Body Knows the Ritual: Haviva Seligson’s Shofar

    April 3, 2026

    Northern Israel-based printmaker Haviva Seligson carves and hand-prints a figure mid-breath in a wild landscape, making a linocut that treats the act of printing itself as inseparable from the meaning it carries. The shofar is one of the oldest ritual instruments in existence, its sound shaped entirely by the body…

  • What the Music Feels Like: Yeara Chaham’s Collage Response to Sade

    April 3, 2026

    Sydney-based collage artist and designer Yeara Chaham asks whether a feeling from music can become an artwork, building a mixed media composition from scanned pearls, magazine fragments and cool blue tones to translate the particular atmosphere of Sade into something you can see. The starting point was a question: can…

  • Three Continents, One Canvas: David Oku and the Infinite Possibilities of Flat Depth

    April 2, 2026

    London-based illustrator and animator David Oku treats the constraints of 2D digital space not as a ceiling but as a starting point, building bold, densely detailed worlds from multicultural influences, hand-drafted letterforms and a refusal to release anything that doesn’t radiate positive energy. David Oku has a rule: if someone…

  • Aisle of Unease: Annexe Studio’s F*** Your Supermarket

    April 2, 2026

    Paris-based creative trio Diana Castro, Maëva Grande and Laure Guillaud of Annexe Studio turned the visual language of the weekly supermarket leaflet against itself in a limited newsprint publication that is equal parts seduction and disruption. The supermarket leaflet is one of the most thoroughly ignored pieces of design in…

  • Kichizi: Aysha Lilani Brings East African Visual Language to the Slopes

    April 1, 2026

    British-Canadian graphic designer and illustrator Aysha Lilani merges East African heritage with snowboarding culture in Kichizi, a bold board graphic selected by Gilson Snow for their 2026 lineup that takes its name from a Kenyan word for mindset over struggle. The word came from a tour guide in Kenya, on…

  • Hidden in Plain Sight: Alastair Keady and Helen O’Sullivan at Graphic Studio Gallery

    April 1, 2026

    Deliberate/Deliberate, a joint exhibition at Graphic Studio Gallery in Dublin, brought together two printmakers whose practices share a commitment to process, restraint and the slow emergence of meaning through structure and deviation. It can be rather calming, observing work that asks you to look slowly. Deliberate/Deliberate, which ran at Graphic…

  • Something to Live With, Not Scroll Past: Elena Fazzino’s Garden Party Magazine

    April 1, 2026

    English-Italian editor, photographer and founder Elena Fazzino has built Garden Party Magazine from a private Instagram account into an independently published, community-led print publication that asks its readers to slow down and pay attention. The name came first. Garden Party was a private Instagram account Elena Fazzino started around 2017,…

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Trending Articles

  • More Than Fish: Donna Cyril at Sasoon Dock
  • Stacked and Infinite: Yorgos Papadoyiannakis’s…
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