Article

Article :: Analogue and Digital

posted by Marcroy February 6, 2012

Here’s a pretty cool article by Robert Urquhart, with inserts by Print Club London, Dan Mather, Kate Gibb, Ink Meets Paper and Jennifer Mehigan.

Marcroy
Latest posts by Marcroy (see all)
About

Graphic Design, Illustration and Print Enthusiast. marcroy@peopleofprint.com

You may also like

Reborn in Layers: The Quiet Power of Collage


January 11, 2026

What’s New with Brailleneue

June 17, 2024

SEA × FESPA: Unifying a Global Voice for Print Innovation

September 22, 2025

2026 Riso Calendar by Maria Tsilomitrou

February 17, 2026

Fatma Alkhayat Transforms the Cairo Art Book Fair Poster Kit into a Sculptural Flag Book

March 12, 2026

Alphabet Flash Cards

January 13, 2013

Navigating Change: Alberto Herrero’s Watercolours Reflect a Personal Transformation

March 9, 2026

New Mountain Magazine: Celebrating Adventure in Its Purest Form

August 20, 2025

Layers of Life: Chiara Mensa’s Habitat Series

December 23, 2025
This image, taken with a Multispectral Imaging camera and processed using the Minimal Noise Fraction method, brought out the band of faded and erased text across the cover, making it readable again. One theory by researchers is that at some point over the centuries, there was a band (possibly made of an oily material such as leather) around the book holding it in place which rubbed off the text. Through this digitisation process, they were able to bring out the missing text digitally, allowing researchers to read the story clearly and help place the manuscript amongst the Merlin literary canon. 3D model produced using Artec Spa

Long-Lost Merlin & King Arthur Tale Unearthed in the Binding of a 16th Century Book

April 15, 2025