In a time shaped by rapid technological change and the growing presence of AI, Liz Payne’s practice returns insistently to the hand. Her work exists at the intersection of art, craft, design and technology, subverting traditional expectations of textile practice while embracing its labour and physicality.
You Don’t Own Me began as a hand embroidered and beaded textile artwork. Every bead, sequin and thread is individually stitched into fabric. The process is slow and deliberate. Piercing the cloth, building the surface, allowing the work to grow through repetition. The labour is visible and intentional. It becomes part of the meaning.
Inspired by lyrics, everyday speech and popular culture, the title references the 1963 song by Lesley Gore. At its release, the song became an anthem of women’s empowerment. Decades later, its message continues to resonate across conversations about autonomy of mind, body, land and creativity. Payne draws on this enduring relevance, positioning the work within today’s cultural climate.
“I am thrilled to be releasing prints of my original artwork You Don’t Own Me. As I was making the original artwork I often thought of the empowerment it gives to not only women, but for everyone. It asserts that body, mind and our creativity remain ours, and that is something we should stand up for.”
The piece also reflects Payne’s ongoing exploration of synchronicity and connection. Botanical forms, astrological patterns and topographic references often appear in her work, echoing the idea that we are all part of the same material universe. A common thread runs through everything.
“I always aim for my work to have a universal appeal despite being greatly influenced by my personal surroundings. It is through this commonality throughout time that connects us all, despite any outwardly differences in race, sex, gender or class.”
The project comes full circle through print. The original textile artwork has been translated into high definition museum grade archival giclée prints on Canson 310gsm photo rag paper, produced using twelve colour pigment inks. The result is strikingly tactile. The surface holds so much depth that it feels almost touchable, as though the fabric itself has been transferred to paper.
“Both processes are similar in an unexpected connection between traditional techniques and contemporary design, from the initial stitches into the fabric to the pixels on the screen. Taking the original artwork and turning it into these prints draws on my background in art and design, with my love of craft and textiles.”
The shift from hand stitch to digital file and back to physical print does not dilute the work. It reinforces it. Both processes demand precision and care. Both rely on the human touch. The artwork evolves, but the intention remains intact.
The original piece was recently selected as a finalist in the Wollongong Art Prize in New South Wales, Australia, with the exhibition running from 6 December 2025 to 1 March 2026. Payne has also been recognised as a finalist in The Blake Prize, The Mac Yapang Art Prize and the Hazelhurst Art on Paper Award, and has collaborated with brands including Gorman, Coopers, Frankie Magazine and Oatly.
With You Don’t Own Me, Liz Payne continues to push textile practice forward while grounding it in labour, materiality and meaning. Each stitch affirms resilience. Each print extends that message outward.
Website:
https://www.lizlpayne.com
Instagram:
https://www.instagram.com/lizlpayne
Shop:
https://www.lizlpayne.com/shop
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- You Don’t Own Me — Liz Payne - February 25, 2026
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- Call for Artists: In Limine Artist Residency 2026, Monte Sant’Angelo, Italy - February 10, 2026
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