ArticleIllustrationSolo artist

Sunny’s World: Softness with Boots On

posted by People of Print Features February 27, 2026

Sunny Wu’s illustrations exist in a universe of bright colour, grainy texture, and unapologetic femininity. Titled sunny’s world, this ongoing body of work depicts girlhood not as something fragile or ornamental, but as something self-aware, grounded, and quietly powerful.

Working primarily in digital media while drawing on the visual language of printmaking, Sunny creates images that feel youthful and sensual. Her figures are soft, often surrounded by saturated palettes and textured surfaces that echo risograph grain and screenprint tactility. Yet within this softness is an edge. Her girls frequently wear boots.

The boots are not incidental. They ground the figures physically and conceptually. They suggest readiness. They imply labour, autonomy, and movement. In Sunny’s words, her drawings are “super feminine, but there’s also a sassiness.” The figures may appear delicate at first glance, but they stand firmly in their space.

A colorful illustration of a girl in a green top with two braids sitting in a kitchen, eating with a dog beside her. The kitchen features a tiled wall, a window, and various food items on the counter.
A colorful and playful illustration featuring a woman lying among various Valentine's Day themed items like heart-shaped candies, roses, and gifts. She is wearing a pink bra and red shorts, playfully holding a knife, with a flirty expression. The background is filled with vibrant colors and patterns.

For Sunny, hope is not naïve. It is deliberate. “Hope, to me, isn’t about being delicate or untouched by reality. It’s about choosing softness without surrendering strength.” The boots become a visual shorthand for that choice. They symbolise preparedness without sacrificing femininity. “They imply readiness: for labor, for autonomy, for self expression. They make femininity feel intentional, not fragile.”

Across her A2 print editions, girlhood is portrayed as layered and self-possessed. These are not passive muses but characters inhabiting their own emotional landscapes. The combination of bright colour and textured finish reinforces the duality in her work: playful yet assured, dreamy yet grounded.

Sunny Wu is an illustrator and visual artist originally from Los Angeles. After spending four years in New York during her undergraduate studies, she recently completed a postgraduate degree in Southwest England. Alongside illustration, she experiments with ceramics, silkscreening, and rug tufting, extending her tactile interests beyond the digital surface.

An illustration of two women in a vintage shop surrounded by various collectibles and toys. One woman points at a teapot while holding a knitting book, and the other is seated at a table examining a small item, with colorful patterns and playful characters in the background.
A young woman sitting on a washing machine wearing a polka dot robe and shorts, holding a plate of cookies, with a dog dressed in a matching polka dot coat beside her. A piggy bank and various laundry items are visible in the background.

Her work draws from memory, surroundings, and imagination, building a visual language where softness and strength coexist without contradiction. In Sunny’s world, femininity does not apologise for itself. It stands steady, boots on.

Website:
https://sunny-wu.com/

Instagram:
https://www.instagram.com/bysunnywu


Discover more from People of Print

Subscribe to get the latest posts sent to your email.

You may also like

Leave a Comment